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| LANDSCAPE | LANDSCAPE

Huge time savings in post-production —
In-camera RAW batch processing

Shooting in RAW gives greater leeway in post-production, letting
photographers draw the most from the images they capture. Until
now, however, processing RAW has always been extremely time-
consuming. The D850 resolves this issue by offering an incredibly
convenient, in-camera RAW batch-processing feature, which enables
you to quickly apply the same adjustments to selected images. You
can save the original RAW files and processed JPEG files on one
large-capacity XQD card, or else save the original on XQD and the
JPEG on an SD card in the second slot, for easier data management.

1000 pics

14-bit lossless RAW Approx. 25 min. JPEG fineH, Large

Note: When data is read from SONY SF-G128 (128 GB) SD card and written to
Lexar Professional 2933× (128 GB) XQD card.

© Luke Austin

Bring everything in focus for focus stacking — Focus shift photography Show your creativity in a social
media-friendly format — New 1:1
When shooting a landscape containing various subjects at different focus distances or creating specimen pictures of insects and flowers,
photographers may want to bring everything into sharp focus. The D850 introduces a focus shift photography function, which enables it to shoot image area option
sequences of up to 300 frames, while gradually and automatically shifting focus position from the start point to infinity. The shutter release The D850 introduces a new image area option
interval can be set from 0-30 s, while the focus step width can be selected from 10 levels. Continuous shooting at approx. 5 fps is also available. with a 1:1 aspect ratio. While reminiscent of
Combining the pictures using focus stacking in post-production* gives you an image where every detail is in brilliantly sharp focus. 6 × 6 medium format, it’s also ideal for social
* Requires third-party editing software. media, where square images have become
increasingly popular. It is also possible to
add shading in the viewfinder around the
image area you choose, helping you compose
Focus shift photography steps more accurately. You can create pictures to
impress your followers, as well as experiment
with the creative potential of this unique
Focus plane
image area.

9 8 7 6 5 4 3 2 1 No. of shots

Set the number of shots (nine in the example illustration above),
focus step width (the amount of shifted focus distance with
each shot) and interval between shots.
Note: Exposure smoothing and silent photography options are available.
FX 1:1 1.2× crop DX 5:4 • Lens: AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR • Exposure: [A] mode, 1/6 second, f/8 • White balance: Natural light auto • Sensitivity: ISO 64
• Picture Control: Auto © Luke Austin
No. of shots (1-300) Focus step width (1-10) Interval until next shot (00”-30”)

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